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Guru Dutt production house movies

Creado por
Ajatika singh
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Aar-Paar (1954)
An ex-convict gets a job as a taxi driver to change his girlfriend's prejudiced father's view of him, and becomes embroiled with a criminal gang in the process.
Director: Guru Dutt
Writers: Abrar Alvi (dialogue), Nabendu Gosh (screenplay)
Stars: Shyama, Guru Dutt and Jagdish Sethi
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Baaz (1953)
 Produced and directed by Atma Ram, younger brother of Guru Dutt Shikhar  is a murder mystery that became a box office hit and its songs were also big hits .'Parde mein rehne do' became massive hit and continues to be listener's favorite till date.
SHIKHAR is a valid cinematic documentation of ideological annihilation.
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Baharein Phir Bhi Aayengi (1966)
A reporter exposes dangerous working conditions in a mine owned by one of his employer's crooked creditors. He loses his job. When disaster strikes at the mine, the daughter of the paper's deceased founder (and now the managing director)re-employs him. Her interest in him is more than just journalism. Unknown to her, her younger sister is also romantically linked to the reporter. The resultant conflict and anguish culminate in both sisters attempting to sacrifice their future happiness for the sake of the other.
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Bindiya Chamkegi (1984)
Shalini 'Shalu' lives a wealthy lifestyle with her businessman brother, Shyam Kapoor, and is expected to marry Surajbhan, the son of wealthy Thakursaheb. She would prefer that Shyam got married first so that he can have someone to look after him, but as he was in love with a woman named Maya, who betrayed him, and since then he has taken to alcohol in a big way, and hates women. When he fails to convince Shalu to marry, he gets married to a woman named Bindiya and so on....
Guru Dutt introduces the whole 'Casanova' concept to bollywood in the late nineties with this piece of art . The film is full of all sorts of drama and introduces ,concepts new to the people of the then era. 
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Chanda Aur Bijli (1969)
The movie started with Guru Dutt in the main lead. He had to be replaced by Dharmendra and the movie re-shot due to Dutt's death; it turned out to be Guru Dutt team's  last offering. The film is still remembered for its music is by O.P Nayyar.
Reporter Jitendra (Dharmendra) exposes dangerous working conditions in a mine owned by one of his employer's crooked creditors. He loses his job. When disaster strikes at the mine, Amita (Mala Sinha), daughter of the paper's deceased founder re-employs him. Her interest in him is more than just journalism. Unknown to her, her younger sister (Tanuja) is romantically linked to the reporter.
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chaudhvin Ka Chand (1960)
The setting is the city of Lucknow in northern India, where Islamic culture flourished. Two of the three best friends who live in this city have fallen in love with the same woman named Jameela unknowingly. Aslam and Nawab are the two friends caught in this love triangle.
 Nawab Pyare Mian gets a close look at a stunning woman in a busy market place, and is left stunned by her beauty. Unable to get her out of his mind, he asks his friends, Shedad and Aslam, for assistance. Then to Nawab's delight he spots her at his sister's birthday celebration, and asks Nasibhan to find out who she is. After a few misunderstandings, he does find out her name, which is Jameela. But the problem is that his friend, Aslam, has also fallen for her, and the friends will have to make sacrifices for each other, then after that the decision will be Jameela's to decide who to chose for her life-partner.

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CID (1956)
A newspaper editor, Shrivastav, is killed when he was about to expose the underworld links of a very rich and influential person. C.I.D. Inspector Shekhar is assigned to this case, an investigation of which leads him to suspect Dharamdas and his men. But Dharamdas spins a web of lies and deceit, and Shekhar himself becomes a suspect, and is arrested by the police, and loses his job, leaving Dharamdas and his men to carry on undeterred.
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Guru Dutt movies Pvt. Ltd Visibilidad
Kaagaz ke phool (1959)
Pyaasa
 is a story of artistic pursuit in an unwelcoming society. It is about the sacrifices which are demanded by the world to follow one’s dreams – family, respect, and even love. It explores the dangers of a commercial, selfishly fickle world which patronises and abandons art as a trend. Do you see a parallel to the present?
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Mr. and Mrs. 55
A young, naive heiress, in custody of a martinet and flamingly feminist aunt is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt. However, in the course of her ostensibly married life, she learns the true meaning of marriage and the deep significance of being an Indian wife, much to the dismay of her aunt, who, in adherence to her wayward beliefs, has been trying to instill every kind of anti-male sentiment in her niece's ingenuous mind.
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Pyaasa (1957)
Pyaasa

 is a story of artistic pursuit in an unwelcoming society. It is about the sacrifices which are demanded by the world to follow one’s dreams – family, respect, and even love. It explores the dangers of a commercial, selfishly fickle world which patronises and abandons art as a trend.
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Sahib Bibi Aur Ghulam (1962)
The setting is the city of Lucknow in northern India, where Islamic culture flourished. Two of the three best friends who live in this city have fallen in love with the same woman named Jameela unknowingly. Aslam and Nawab are the two friends caught in this love triangle.
Nawab Pyare Mian gets a close look at a stunning woman in a busy market place, and is left stunned by her beauty. Unable to get her out of his mind, he asks his friends, Shedad and Aslam, for assistance. Then to Nawab's delight he spots her at his sister's birthday celebration, and asks Nasibhan to find out who she is. After a few misunderstandings, he does find out her name, which is Jameela. But the problem is that his friend, Aslam, has also fallen for her, and the friends will have to make sacrifices for each other, then after that the decision will be Jameela's to decide who to chose for her life-partner.
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Shikhar (1968)
Produced and directed by Guru Dutt's ,younger brother Aatma Ram is a murder mystery that became a box office hit and its songs were also big hits.
Manager Ajay Singh finds out that a man by the name of Naresh is murdered and inform police inspector Rai, but all the evidence is tampered with at the crime scene and as a result the murderer became difficult to trace. From here on Ajay's life takes a new turn in trying to find the culprit who has murdered Naresh, in the process he meets a young woman, Kiran who have some crucial evidences that might lead Ajay to the culprit who have murdered alcoholic and womanizer Naresh.
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Origen Relación Destino Fecha
Guru Dutt movies Pvt. Ltd Aar-Paar (1954)
Guru Dutt movies Pvt. Ltd Baaz (1953)
Guru Dutt movies Pvt. Ltd Baharein Phir Bhi Aayengi (1966)
Guru Dutt movies Pvt. Ltd Bindiya Chamkegi (1984)
Guru Dutt movies Pvt. Ltd Chanda Aur Bijli (1969)
Guru Dutt movies Pvt. Ltd CID (1956)
Guru Dutt movies Pvt. Ltd Kaagaz ke phool (1959)
Guru Dutt movies Pvt. Ltd Mr. and Mrs. 55
Guru Dutt movies Pvt. Ltd Pyaasa (1957)
Guru Dutt movies Pvt. Ltd Sahib Bibi Aur Ghulam (1962)
Guru Dutt movies Pvt. Ltd Shikhar (1968)