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Nodo | Tipo | Descripción | Visible | Grupos | Conexiones | Relevancia | Intermediación | Cercanía | Nuclearidad |
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American Horror Story: Coven | Pop Culture | Portrays more accurately the debate scholars are having over how to accurately place Tituba in the European witch category or in African voodoo as the character Queenie the ancestor of Tituba is pulled between two covens. The show makes the argument that while it is important to be intersectional at the particular time period of today’s contexts rather than fight over what divides women they must come together to fight. |
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Anna Mae Duane | Scholar of Petry | Duane, Anna Mae. 2012. "Tituba of Salem Village." Journal of the History of Childhood and Youth 5 (1): 154-156. http://libproxy.sdsu.edu/login?url=http://search.proquest.com.libproxy.sdsu.edu/docview/1010322461?accountid=13758.
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Ann Petry | Scholar | She is a scholar that wrote Tituba of Salem Village (1964) she argued:
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Arthur Miller | Scholar | His infamous play The Crucible has painted how a majority believe what really happened during the Salem witch trials |
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Bernard Rosenthal | Scholar | Rosenthal, Bernard. "Tituba." OAH Magazine of History 17, no. 4 (2003): 48-50. http://www.jstor.org/stable/25163623.
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Bryan Le Beau | Scholar of Breslaw | The American Historical Review 102, no. 2 (1997): 512-13. doi:10.2307/2170946.
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Charles Upham | Scholar | Rosenthal, Bernard. "Tituba." OAH Magazine of History 17, no. 4 (2003): 48-50. http://www.jstor.org/stable/25163623.
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Elaine Breslaw | Scholar | A scholar who wrote Tituba, Reluctant Witch of Salem (1995) argues:
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Maha Marouan | Scholar | She is a scholar that wrote the 2013 book entitled Witches, Goddesses, & Angry Spirits. She argues:
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Maryse Conde | Scholar | She is a scholar that wrote the book I, Tituba, Black Witch of Salem by Maryse Conde and forward by Angela Y. Davis 1986 Angela Y. Davis introduction:
Conde:
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Salem TV series | Pop Culture | A TV series started 2014 to present on the WGN sent in the era of the Salem Witch Trial: Season 1 episode 1: terms such as “Indian savages” portrays the Indian war that was ongoing during the period and in the beginning displays public humiliation and punishment in the stalks for two people accused of fornication in order to have god on Salem’s side in the war. John leaves the town from the french and Indian war. Tituba assists and almost insists Mary has to abort her child with John. Tituba uses magic to abort the baby. Seven years later John returns as the Salem witch trials are beginning after 3 people were hung. John and his father discuss how Cotton Mather caused the witch panic to draw up more popularity for the puritan faith. It displays Mary as the key component in using the witch trials to make the puritans turn on each other. |
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Suzanne Roszak | Scholar of Conde and Miller | Roszak, Suzanne. 2014. Salem Rewritten Again: Arthur Miller, Maryse Conde, and Appropriating the Bildungsroman. Comparative Literature. 66, no. 1: 113.
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Tituba is a symbol of feminist thought | School of thought | The argument that Tituba is an important and symbolic figure to represent the feminist school of thought. |
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Tituba is molded to fit the Author's issue with their current problem | School of thought | Tituba has little clear and substantive knowledge about her life thus scholars have taken advantage of moldable qualities to argue current quagmires. |
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Tituba led a resistance | School of thought | The school of the thought that Tituba was purposely leading a resistance against the Puritan society. |
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Tituba subscribes to the Voodoo religion | School of thought | The historical camp that believes that Tituba was a believer of Voodoo and some scholars say that her belief was strong enough to be a Voodoo priestess. |
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Tituba was African American | School of thought | The philosophy that Tituba was a African American slave |
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Tituba was a Native American | School of thought | The belief that Tituba was Native American some the evidence scholars use that John and her last name was Indian |
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Tituba was not a Voodoo priestess | School of thought | The argument that Tituba did not practice or believe in Voodoo instead some scholars argue that she was Christianized. |
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Origen | Relación | Destino | Fecha | Why there is a connection |
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American Horror Story: Coven | Historical camp | Tituba is a symbol of feminist thought | ||
American Horror Story: Coven | Historical camp | Tituba is molded to fit the Author's issue with their current problem | ||
American Horror Story: Coven | Historical camp | Tituba led a resistance | ||
American Horror Story: Coven | Historical camp | Tituba was African American | ||
Anna Mae Duane | Reviews and Critiques | Ann Petry | ||
Ann Petry | Historical camp | Tituba is molded to fit the Author's issue with their current problem | ||
Ann Petry | Historical camp | Tituba subscribes to the Voodoo religion | ||
Ann Petry | Historical camp | Tituba was African American | ||
Arthur Miller | John Proctor | Maryse Conde | ||
Bernard Rosenthal | Reviews and Critiques | Charles Upham | ||
Bernard Rosenthal | Reviews and Critiques | Elaine Breslaw | ||
Bernard Rosenthal | Reviews | Maryse Conde | ||
Bernard Rosenthal | Historical camp | Tituba is a symbol of feminist thought | ||
Bernard Rosenthal | Historical camp | Tituba is a symbol of feminist thought | ||
Bernard Rosenthal | Historical camp | Tituba is molded to fit the Author's issue with their current problem | ||
Bernard Rosenthal | Historical camp | Tituba was African American | ||
Bryan Le Beau | Reviews | Elaine Breslaw | ||
Charles Upham | Historical camp | Tituba is molded to fit the Author's issue with their current problem | ||
Charles Upham | Historical camp | Tituba was African American | ||
Elaine Breslaw | Reviews and Critiques | Charles Upham | ||
Elaine Breslaw | Historical camp | Tituba is a symbol of feminist thought | ||
Elaine Breslaw | Historical camp | Tituba led a resistance | ||
Elaine Breslaw | Historical camp | Tituba was a Native American | ||
Elaine Breslaw | Historical camp | Tituba was not a Voodoo priestess | ||
Maha Marouan | Historical camp | Tituba led a resistance | ||
Maha Marouan | Historical camp | Tituba was not a Voodoo priestess | ||
Maryse Conde | Historical camp | Tituba is a symbol of feminist thought | ||
Maryse Conde | Historical camp | Tituba is molded to fit the Author's issue with their current problem | ||
Maryse Conde | Historical camp | Tituba was African American | ||
Salem TV series | Historical camp | Tituba led a resistance | ||
Suzanne Roszak | Reviews | Arthur Miller | ||
Suzanne Roszak | Reviews | Maryse Conde | ||
Tituba is molded to fit the Author's issue with their current problem | Conde | Tituba was African American |